O ur simplest shots for TITANIC were a series of digital video manipulations, in which original Betacam material from both the production shoot and the actual Titanic wreck dive had to be processed, color-corrected and overlaid with graphics to achieve a realistic video look on film. While the folks at Digital Domain were charged with the responsibility of creating the major visual effects for the film, they were ultimately joined by a dozen and a half other effects houses in their efforts, ranging from rival Industrial Light & Magic to little ol' Banned From The Ranch.Īlthough originally brought on to create a simple camcorder viewfinder-style overlay, BFTR ended up providing nearly fifty shots for the film. TITANIC | Banned From the Ranch Entertainmentį or James Cameron's epic love story set aboard the doomed luxury liner, BFTR performed a myriad of effects duties, ranging from basic compositing and video overlays to CG modeling/animation and complex image manipulation.
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